Chino Otsuka : Imagine Finding Me
Chino Otsuka uses photography and video to explore the fluid relationship between the memory, time and photography. At age 10 she moved from Japan to the United Kingdom to attend school. Her experience of becoming familiar with a new place, a different language and new customs while she was developing her adolescent identity has profoundly shaped her work in photography, video and writing. Her series Imagine Finding Me consists of double self-portraits, with images of her present self beside her past self in various places she has visited. As Otsuka says: “The digital process becomes a tool, almost like a time machine, as I’m embarking on the journey to where I once belonged and at the same time becoming a tourist in my own history.” - via AGO
I am unexpectedly weepy looking at this.
gosh that’s… moving in a really gentle kind of “mother your inner child” way…
It’s so good that I ALMOST SCROLLED PAST IT because I assumed they were just regular pictures
This is just beautifully done.
Click the arrow above for a free download of “Biggy”, available for the first 24hrs only
Pre-order the new album ‘Warpaint’, out 20th January 2014
Special limited bonus items available with pre-orders from the following places:
Official Warpaint Store: http://store.warpaintwarpaint.com
Rough Trade (US): http://shopusa.roughtraderecords.com/…
Rough Trade (UK): http://store.roughtraderecords.com/St..
Amazon (CD): http://smarturl.it/warpaintsta
Amazon (LP): http://smarturl.it/warpaintstalp
Also available on iTunes:http://itunes.com/warpaint/warpaint
Warpaint Live: http://on.fb.me/1bt3C68
Artist Agnes Denes conceived the project in 1982, and the Finnish government undertook it 10 years later. The site is legally protected for the next 400 years.
"This is why you can’t trust women! They’re so good at makeup and wear it to fool guys into thinking they’re hot!"
shit. girls he’s on to us *washes off makeup to reveal lizard face and climbs up a wall* we will return with a new disguise. soon the power of earthly men will fall
“Stevie Nicks was the first woman I ever heard say she had chosen not to have children because she cared more about her career. The first that ever warned me men might not like it if there are things more important to me than they are. The first that ever said that that was fine: sometimes, you have to leave them behind. Wherever she goes, she surrounds herself with girls. “I can’t imagine you in a bathing suit,” someone says in an interview for Rolling Stone, when Stevie says she likes to play in the pool in her backyard. “Yeah, well, you never will,” Stevie says. “There is never - ever - a man in the backyard. If there is, he is banished to the front of the house.” Men don’t get to look at Stevie Nicks unless Stevie Nicks wants men to look at Stevie Nicks. In her songs, even when she’s talking about how she has to change, she proclaims her power, her ability, her worth. She is a queen, she is a witch, she is a dragon, she is in control. She isn’t polite. She’s competitive. She’s bossy. She claimed all the things the men around her claimed — she spent as much money as they spent, had as much sex as they had, was as reckless as they were, stood at the front of the same stage — and never questioned that that was her right. The world tells us women are there for men, but despite all the boyfriends and the jokes about how she’s so easy and the sex-symbol status, she isn’t there for men at all. She does it without ever giving in to the men that dismiss her. She’s emotional. She’s dramatic. She raises her voice as much as she can. She thinks she’s pretty, she thinks she’s a star, and when her fans crowd up to the edge of the stage, crazy, she welcomes them, with open arms. She revels in it. She’s too much of a girl for you? She revels in it.” — albinwonderland)
"I swing between procrastination and being really thorough so either way things aren’t getting done quickly."
Namib Desert from Space, 2013. Taken from the collection of the European Space Agency.